Design for Life
What’s Feng Shui Got to Do With It?
May/June 2004
By Carol Venolia
The phrase feng shui is increasingly familiar to Westerners, but do we really know what it means? On the surface, feng shui can seem like an esoteric bag of tricks: Hang a wind chime here or a crystal there, and watch the love or money flow in. But if you scratch the surface … well, it gets confusing. Some feng shui “cures” are incomprehensible to Westerners or difficult to apply, and recommendations from different feng shui schools often conflict. Is it worth trying to sort it out? Can an ancient foreign practice be relevant to us here and now?
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I’ve come to believe that, at its heart, feng shui offers something central to the natural home. If this isn’t intuitively obvious, maybe it’s because feng shui is rooted in perceptions that have been expunged from Western culture. Then again, that might be why it’s so popular.
The core of feng shui—what we’re missing and longing for—is awareness that all things are interrelated and everything has life energy. Virtually every culture but ours has a respected word for this life energy; the Chinese call it chi, the Japanese ki, and the East Indians prana.
Feng shui basics
The heart of feng shui is about caring for that life energy within and around us. “It’s basically an ecological consciousness,” says feng shui practitioner and teacher Richard Feather Anderson. “Feng shui is a set of principles for good design, based on the laws of nature.”
Feng shui has its roots in agrarian China. It represents thousands of years of accumulated wisdom about how to site homes and activities in relation to landforms, circulation, and climate. It also addresses the design of buildings in relation to sun, wind, water, and vegetation.
But how do we bridge from the Chinese farm to the American home? “The way to make feng shui relevant is to operate at the level of underlying universal principles,” offers Anderson. “I look for the concepts that are common to many traditions; almost every culture has a similar body of wisdom about how to live in right relationship with the earth. If the rules from two traditions disagree, I suspect that one of them is based on culturally specific folklore. So I weed out these rules to arrive at cross-cultural, universal principles of good design. Then I adapt these principles to make them useful in our lives.”
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